Last Update 22:17
Friday, 15 November 2019

An artistic night at the Abbasiya Cathedral commemorates Black Sunday's martyrs of Maspero

Poetry, song and pantomime at the Abbasiya Cathedral expressed deep sorrow after the Maspero massacre

Sherry El-Gergawi, Monday 31 Oct 2011
The Cry of Goodbye
Views: 1644
Views: 1644

Different artistic performances were held on Saturday, 29 October, at the Coptic Orthodox Cathedral in Abbasiya, near Downtown Cairo, to commemorate the martyrs killed in a bloody night of violence on 9 October. The deaths occurred when military police clashed with mostly Coptic Christian protesters around the Maspero State TV building.

The evening’s performances, infused with Coptic anger at the Maspero massacre, varied from poetry, singing, pantomime, monodrama and a theatrical performance titled Sarkhet Wadaa (A Goodbye Cry).

Two paintings by an artist called Joseph were displayed, one depicting the blood spilled at the massacre and the other depicting Jesus, with his arms wide open to the martyrs.

The item that received the most applause and attention was by Maikel Romany, who through painting with sand told the story of the Maspero Black Sunday, when army vehicles ran over protesters in a peaceful march. His performance also included the heart-wrenching story of the martyr Maikel Mossad and his fiancée.

Families of martyrs as well as injured people attended the performance, along with a number of artists, intellectuals and media figures.

In his speech, Bishop Moussa, who organised the event, thanked the Minister of Culture Emad Abou Ghazi for attending the event and for offering help preparing for it, adding that the Salam Theatre in Garden City has been offered for 10 days to host this performance.

Abou Ghazi then commended the performance, which he said has expressed the tragedy in a creative way, and added that Egyptians should stand together to build the civic nation that they seek.

The actor Mahmoud Yassin expressed his awe with his performance. “Our youth have a lot of creative energy. These are youth that need freedom so that Egypt can move forward. They reclaim Egypt’s identity which is: Egypt for all Egyptians.”

The actor and theatre director Mohamed Abou Dawood also expressed his appreciation for the event and said that in order to solve the sectarian problem in Egypt, one has to have solutions that tackle the core of the issue.

The media figure Fatma Naout was highly moved by the performance. “I hope everyone learns how to love from you. Despite everything that is happening to Copts in Egypt, the love still fills their hearts,” she said, teary-eyed.

Short link:


Ahram Online welcomes readers' comments on all issues covered by the site, along with any criticisms and/or corrections. Readers are asked to limit their feedback to a maximum of 1000 characters (roughly 200 words). All comments/criticisms will, however, be subject to the following code
  • We will not publish comments which contain rude or abusive language, libelous statements, slander and personal attacks against any person/s.
  • We will not publish comments which contain racist remarks or any kind of racial or religious incitement against any group of people, in Egypt or outside it.
  • We welcome criticism of our reports and articles but we will not publish personal attacks, slander or fabrications directed against our reporters and contributing writers.
  • We reserve the right to correct, when at all possible, obvious errors in spelling and grammar. However, due to time and staffing constraints such corrections will not be made across the board or on a regular basis.

© 2010 Ahram Online.